The Mission of Betrayal: Shepherd Wolves, Red Herrings and Poisoned Meatballs, 11

When the state is run by Keynesians, it keeps on “stimulating” the economy by sinking into indebtedness; but that debt is neither owed to nobody nor to its citizens: that debt is owed to the moneypulators. When the state is run by opposers of Keynesianism, it keeps on “stimulating” the economy by bleeding it to pull out of debts; and that debt is still owed to the moneypulators.
And the truth in both cases is, that debt is odious, fraudulent, and since it is the implementation of an infinite debt trap, it is not only a theft, but it is a theft that can never be “settled”.

Speaking of basic concepts singled out and made explicit, there is the existing scene and there is the ideal scene. The existing scene is how things are; the ideal scene is how things ought to be. Part of the not−so−obvious usefulness of having that quite clear is that one’s ideal scene is one’s reference, one’s ultimate limit “which takes so large a share of the far−flung horizon from view”, as the Poet said. It has been said that the only thing that can imprison one are one’s own considerations, and the ideal scene is no exception. The ideal scene is one’s consideration of how things ought to be, and what one considers might well be quite apart from what it actually is. All the factors that intervene between the truth and one’s awareness interpose, ranging from research to study and to confront, and each one of them can send one’s considered ideal either far away or far back from what is actually possible. But there’s also an additional factor that can contribute to this divergence, particularly in such cases as economics, which is lack of that critical alertness which no “authority” whatsoever can stop. The result may well be that one’s ideal scene is a cave just because one’s been carefully kept uninformed that houses have been developed, fully equipped with heating, electricity, running water, and all the rest of it, or that one’s ideal scene is committing mass murder and suicide just because one has been carefully manipulated into thinking that one’s fellows are despicable and some divinity would reward such feat with some form of otherwordly paradise. You get the idea of why it is my opinion that the critical alertness in reviewing the quality of one’s ideal scenes is of the utmost importance.